~ Announcements ~

There are so many exciting things happening at Pratham Books.

1. Check out our summer deals - new books, discounts and more!

2. We are hiring! If you match the job profiles mentioned, send us your resumes. If not, please spread the word and help us find some awesome people to work with!

3. Our books are now available on Attano. The folks at Attano have converted some of our Creative Commons licensed books and made them available on the Attano Ebook Reader. Users can read these eBooks on the PC, Android Tablets and the iPad.




Thursday, May 24, 2012

Storytelling Sessions, Mumbai

This event listing is a little late, but your kids can still attend 2 more sessions! More details on the poster below.

Via an email sent by British Council (via Chintan Girish Modi)

(Please click on the image for a larger view)

Things to Do While Reading to Your Child

25 - Little Reader
Reading daily with your child is critical to their development in many ways. There is no better way to increase vocabulary, teach literacy fundamentals, and expose your child to images and words to which they would otherwise not be exposed.
However, just saying the words on the page, while giving some benefits to your child, will not make the experience as productive as possible. By adding just a few small changes to your read-aloud time, you will be greatly increasing your child’s reading preparedness. Here are seven suggestions to make read-alouds the best learning experience possible every time you read together:

Read the Title, Author’s Name, and Illustrator’s Name - It’s important for children to become familiar with what these three things mean. Explain what author and illustrator mean. It’s also great for them to understand that every book is written and illustrated by real people.
Ask Your Child to Make Predictions - Read the title and look at the cover, then ask your child to tell you what they think might happen in the book. Most children will be quite uncomfortable with this in the beginning since they don’t know the answer, and they want to please you by saying only correct answers. Encourage them by saying that there is no wrong answer, but rather you just want them to take a guess. Ask them again in the middle of the book to make a prediction about how the story will end, and you could even make your own prediction and sometimes model that it’s okay to make an incorrect prediction.

Ask Your Child What Is Happening In the Pictures - It may not seem like pictures are as significant of a learning tool as the words, but when your child examines what is happening in a picture and explains it, it develops their inference skills. Just make sure not to do it with EVERY picture. Once or twice during a book will give them a chance to practice without completely interrupting the flow of the book.
Read the entire article here.

Image Source : Holtsman / Melanie Holtsman

Writing with a Sense of Joy

Children create their own world of stories from the illustrations provided to them
Image Source : Pratham Books

(This is a guest post by Chintan Girish Modi. Chintan works with Shishuvan School in Mumbai and manages an online group called People in Education).

Earlier this month while conducting a workshop with children at Mumbai’s National Centre for Performing Arts, an argument I have often made about writing reaffirmed itself. I believe  that children write with a sense of joy only when they are truly engaged with the subject of their writing. And this experience becomes more enjoyable for them when they are in a supportive 
community of writers.

What was the workshop about? It was called ‘Dear Diary’ and was offered from May 2 to 4, 2012 as part of NCPA’s Summer Fiesta.

Here is a brief concept note I wrote: "Are diaries only for wimpy kids? Can diaries become friends who listen without advising, who understand without asking all the embarrassing details, who can hold secrets without spilling them? This hands-on workshop will get participants to explore how they think and feel about themselves through games, activities, music and stories. Participants will be encouraged to express themselves in inventive ways, with and without words. What if a secret diary is found? We`ll learn about code language too."

The 11-and-a-half to 14-year olds I worked with wrote about various things – the stories behind their names, places they want to visit, what they love about themselves, secret spaces of their own, things that scare them, things they wished they could do, what they feel like doing when they are angry, and much more. I got to know them as writers, and as people. That helped create a bond.

It was great to read what they came up with, and I also wrote along with them. I have done this before with other groups of students, and I think this is really useful. Children get to see that adults face similar hurdles while trying to express their thoughts. Adults get to step into the shoes of the children they are working with, and learn to empathize with their struggles. There is a feeling of equality that comes from this. And it gets even better when a workshop of this nature, and classrooms in schools, make time and space for children to share their work with each other. Just this simple act of sharing can be powerful in spaces where adults alone get to determine the ‘worth’ and ‘value’ of something a child has created.

Where does one begin? How does one get children truly engaged with the subject of their writing? That’s simple! One needs to find out what excites them, moves them, bothers them, makes them think. The most reluctant of writers might feel like writing if it’s going to be personally meaningful for them in some way, beyond pleasing the teacher and getting a good grade. Anyone who has sincerely worked with children even for the shortest period of time will vouch for the gems of creative brilliance and insight they can come up with. And this, I feel, is remarkable when their creative urges have to battle with thousands of mass-produced images coming at them from everywhere.

Make Reading Time Family Time

Reading Free Fall

Creating a daily reading routine with your child is more than just fun; it helps build vocabulary and listening skills, develops your child’s imagination and encourages a love of reading. It also creates quality time between reader and listener and can be a wonderful conversation starter.

Here are some ideas to get you and your kids reading together throughout the day:

• Let your kids pick the books they want you to read to them, or that they would like to read themselves. If it’s a topic they are interested in, they will have more fun listening or reading about it.

• Read a chapter a day. Choose a time of day that works best for your family. For many it may be bedtime, like it is for us, but for others it may be over the breakfast table or winding down after dinner.

Read one chapter aloud, or for younger kids, choose one book to read aloud. Setting aside a special time of day to read encourages kids to look forward to reading each day and helps create a reading routine.

• Some days parents may just feel too tired to read. If that’s the case, why not listen to an audio book together? Find picture books on CD that are accompanied by the book and younger readers can read right along with you, while older children can enjoy listening to chapter books while helping you with the dishes.

The story is the same; the time together is still happening and the discussion that follows can be just as meaningful.

Read the entire article here.

Image Source : evilpeacock/ Eric Peacock

Wednesday, May 23, 2012

Book Launches, Reading and More ...

Mid Day carried an article about the book launch of our books 'Daddy's Mo' and Aunty Jui's Baby' and the importance of cultivating a reading habit amongst children. Please click on the article below for a larger view or click here to read the article.


Tuesday, May 22, 2012

Creative Writing Workshop : Writing in Different Wor(l)ds

Our friend, Tulika Bathija, is conducting a creative writing workshop for 9-12 year olds. Click on the poster below for more details.


The Comic Con Express is Coming to Bangalore


Via NH7

Unlike the complete event, Comic Con Express is a sort of mini-comic con that will feature more local artists and publishers and allow fans to get a feel of what the New Delhi-based Comic Con India is like (read our reports on Comic Con India here). This year’s event has moved to Bangalore and will be held on September 8 and 9 at the Kormangala Stadium in Bangalore.


Comic Con Express is the traveling version of the Indian Comic Con, the annual Comics Convention at Delhi. Comic Con Express was started with the aim of taking Comic Con to cities throughout India to support and boost the comics industry by increasing local interaction and participation.

Our prime motive is to bolster the nascent comic culture throughout India, by taking the best the Indian comics industry has to offer to people who would otherwise never get a chance to have the Comic Con experience.

Comic Con Express also seeks to promote local artists and writers from various cities, by giving them an opportunity to interact with established artists, writers and publishers and a space to bring their work to the attention of people from the industry.

Participant registration is already open. Visit the website for more details.

Monday, May 21, 2012

Writers' Routines

Writer's Routines is a 'blog about the daily work schedules of writers'.

Essentials

An example of Vladimir Nabokov writing schedule notes that ...
Vladimir Nabokov wrote most of his novels, including Lolita and Pale Fire, on index cards. His novel Ada, for example, wound up taking over 2000 cards.  
In a 1967 Paris Review interview, Nabokov says, “The pattern of the thing precedes the thing. I fill in the gaps of the crossword at any spot I happen to choose. These bits I write on index cards until the novel is done. My schedule is flexible, but I am rather particular about my instruments: lined Bristol cards and well sharpened, not too hard, pencils capped with erasers.”  
Index cards were like his laptop and text editor: portable, in that he could write in the car while his wife drove him across the Western US on butterfly expeditions, and easily editable, because their order could be reshuffled. They also allowed him to write his novels non-linearly, middle last. Nabokov also preferred to write standing up. -wikipedia
(Source: piecesofreiss)
Visit the blog to read up on your favourite writers.

Image Source :  pantagrapher / Mike Innocenzi

Atta Galatta : A Bookstore for Regional Language Books


Bang in the middle of Koramangala, Subodh and Lakshmi have their two-storeyed, beautiful heritage home. “We moved into an apartment a couple of years ago. Both of us were averse to the idea of converting this place into a PG accommodation or a service apartment. When we set out thinking, we felt it has to be a bookstore,” the couple recall. Certainly not a run-of-the-mill bookstore. Why not a regional languages bookstore? “On so many occasions, when we were looking for a Tamil book, we've had to really go hunting for it. A bookstore selling regional language books in a cosmopolitan city makes a lot of sense,” says Subodh.

But it's a minority that reads and speaks in their mother tongue. “Making perfect business sense was not our sole idea. We are fortunate to have enough to live on and don't want to get rich through this bookstore. Having said that I am also not willing to jump into conclusions about shrinking interest in the mother tongue. Let's keep it open,” says Lakshmi positively. Subodh takes the opportunity to narrate a recent happening. “It was just the other day, I was lounging in my easy chair, and this rather young chap comes on a macho bike asking for books. I was so sure he had made the wrong stop. And to my surprise, he bought Kannada books worth Rs. 1200! Someone even came up asking for the complete collection of Poornachandra Tejaswi. ” In fact, when Subodh had insisted that they get a market survey done to find out if there would be takers for their bookstore, Lakshmi was staunchly against the idea. It was an uphill effort and it took them 13 months to put the store together. “We don't want to be a Landmark or a Crossword. In a way defining our store has helped,” adds Lakshmi.

It's important to enlarge the community of readers, and to get them interested in writings of other languages. Subodh and Lakshmi have planned a series of readings, poetry and story telling sessions, which will not only make possible an interaction with a diverse group of readers, but also culturally sensitise a reader to other languages. “I am a Tamilian, but I would certainly want to be in the audience of a Kannada reading,” says Subodh. Books are not about reading alone, it's about an experience, enjoying the sounds and textures of other languages, feel the couple. “Our space is available to others who share our views. It could be visual arts, performing arts… anything. We will charge them a registration fee, and once the event is over, the money can be redeemed for books,” they explain.

Read the entire article here.

Image Source: Atta Galatta Facebook Page

Book-ed Tales


Neatly stacked books on the shelf sit patiently, waiting to tell their stories. They embrace within their covers childhood tales that go beyond regional, linguistic, and social-economic boundaries.

Welcome to the world of stories, weaved specially for children. On Wednesday evening, as the book 'Aunty Jui’s Baby', written by Madhuri Purandare, was released in five languages, one could see how tales can grip any audience. Over 70 kids sat listening to the story, and later indulged in an interactive drawing session. Organised by Pratham Books, this was just one in a series of book-related activities that this not- for-profit organisation has been undertaking.

Established in 2004, the organisation works with the sole purpose of ensuring that there's a book in every child’s hand. “Stories are integral to growing up,” says Sandhya Taksale, editor, Pratham Books, Pune. “We believe that though there are provisions and systems to ensure education to kids, story books do not really reach every child. They are expensive or there is a language issue. Pratham Books was founded to bridge this gap. Our sole aim is to make story books affordable and easy to access.”

The organisation's head office is in Bengaluru. In Pune, Taksale and a few volunteers run the organisation. On their portfolio are more than 215 titles in English. But Taksale believes it’s their regional language books that really make a difference. "A sense of identity is ensured if a child can read a story in his own mother tongue. More often than not, regional language books do not cater to children’s books, and if they do, they are difficult to procure. When translated books are wrapped in catchy book covers, illustrations and elaborate drawings, a child feels like reading them."

Purvi Shah, brand manager, Pratham Books is quick to furnish the organisation’s reach with numbers. “Most of our books are priced below Rs 25. We have printed over 8.5 million books, 10 million story cards and touched a readership of 25 million. But there's still a long way to go – 200 million children in India still grow up without stories.” 

Availability of story books in regional languages has also made sure that story -telling in languages like Urdu gets a face lift. “Often the only material in Urdu is based on religion. Apart from that, nothing else is available. If you look at the language, it is so liberal. We have introduced several translations in Urdu too.” 

An interesting initiative of Pratham is the 'Creative Commons'. Under this project, translated books are put up on the Internet for free access to all. “It's amazing, once we made our resources available online, the distance they traveled. We've had books translated into languages we didn't know, our audio books have been used as teaching tools by volunteers teaching underprivileged children in their neighbourhood, and our books are being converted into Braille,” says a proud Shah.

NOTE : The article states 'An interesting initiative of Pratham is the 'Creative Commons''. 
Creative Commons is a nonprofit organization that enables the sharing and use of creativity and knowledge through free legal tools. We (Pratham Books) license some of our books under Creative Commons licenses. We haven't started an initiative called 'Creative Commons'. For more information on Creative Commons, visit http://creativecommons.org.

Thursday, May 17, 2012

Amazon gets rights to borrow Harry Potter ebooks

Via AFP 
Amazon said Thursday it has signed a deal for the electronic books rights to all seven Harry Potter titles in English, French, Italian, German and Spanish for its Kindle lending library. 
The deal allows subscribers of the Amazon Prime service, which requires an annual subscription, to borrow the electronic versions of best-selling JK Rowling books. 
Amazon said it inked the exclusive license with J.K. Rowling's Pottermore website to make the titles available to its customers via the Kindle e-reader. 
But the deal only allows for borrowing of the ebooks, with Pottermore remaining the only place to buy the electronic versions.
"We're absolutely delighted to have reached this agreement with Pottermore. This is the kind of significant investment in the Kindle ecosystem that we'll continue to make on behalf of Kindle owners," said Jeff Bezos, Amazon's chief executive.
Read the entire article here.

“It’s a commercial deal that makes sense even with a level of cannibalization of my sales,” Pottermore CEO Charlie Redmayne tells paidContent, “but I believe it will actually drive greater sales.” 
“The way the deal is structured means that any lost sales are more than made up for,” Redmayne says. “Yes, some people will borrow from the Kindle Owners’ Lending Library and therefore not buy, but Amazon is paying us a large amount of money for that right, and I believe it’s a commercial deal that makes sense.”
Moreover, Redmayne says the deal “enables people to discover Harry Potter” and thinks that most of the time, readers who “kind of wanted to [buy Harry Potter books] but haven’t…will go to KOLL, discover the brilliance of Jo Rowling’s writing and want to buy the rest and own the set.” Redmayne pointed to some statistics Amazon previously released: The company said that in the case of the Hunger Games trilogy, which is available through KOLL, nineteen percent of customers who borrowed the first book in the trilogy went on to purchase one of the later books instead of waiting another thirty days to borrow it.
Read the entire article here.

Wednesday, May 16, 2012

Training Course In Book Publishing

The Publishing Industry of India is one of the largest in the world. An industry that is at once strong and vibrant, both in English and other Indian languages. The phenomenal growth of publishing in the last few decades, the coming up of more and more new publishing houses catering to specialised areas and the increasing global visibility of Indian writings have combined to create a need to produce and market books more professionally, offering a wide array of lucrative employment opportunities. Today there is a clear need for trained professionals in different areas of publishing editing, production, design, sales and marketing. 

In order to meet this demand, National Book Trust, India (NBT) has been organising courses in publishing throughout the country. 

The 4-week training course in Book Publishing aims to give the participants an overview of publishing. Hands-on experience and interactive sessions form an important segment of the course. Effective and participatory interaction is ensured through case studies, group discussions, project work and visits to publishing houses.The course is designed suitably, keeping in view the needs of the industry in the Indian context. Besides strengthening the knowledge in different aspects of publishing, the course also helps the participants to take up publishing as a career.

Click here for more details on the course. The last date for submitting applications is 10th June, 2012. 

Book Making Workshop - Chennai

(Please click on the image for a larger view)



Aditi Babel is an independent book artist and graphic designer based out of city of lakes Udaipur. .

She graduated from IIT Bombay in 2007 completing her master’s in Visual Communication after which she went to Italy to professionally learn the craft of traditional book making and print making. 

She practises graphic designing, book binding, creating artist books and print making in her studio in Udaipur now.

Since her return from Italy she has been taking workshops on traditional book making at different places for children, adults and design students. She teaches as a visiting faculty in IIT Bombay for the same.

You can view Aditi's work here.

On Censorship

Censorship
Image Source : Issac Mao

An excerpt from Salman Rushdie's PEN speech on censorship ...

Via The New Yorker (via @nilanjanroy)
No writer ever really wants to talk about censorship. Writers want to talk about creation, and censorship is anti-creation, negative energy, uncreation, the bringing into being of non-being, or, to use Tom Stoppard’s description of death, “the absence of presence.” Censorship is the thing that stops you doing what you want to do, and what writers want to talk about is what they do, not what stops them doing it. 
The creative act requires not only freedom but also this assumption of freedom. If the creative artist worries if he will still be free tomorrow, then he will not be free today. If he is afraid of the consequences of his choice of subject or of his manner of treatment of it, then his choices will not be determined by his talent, but by fear. If we are not confident of our freedom, then we are not free. 
And, even worse than that, when censorship intrudes on art, it becomes the subject; the art becomes “censored art,” and that is how the world sees and understands it. The censor labels the work immoral, or blasphemous, or pornographic, or controversial, and those words are forever hung like albatrosses around the necks of those cursed mariners, the censored works. 
At its most effective, the censor’s lie actually succeeds in replacing the artist’s truth. That which is censored is thought to have deserved censorship. Boat-rocking is deplored. 
This is the final victory of the censor: When people, even people who know they are routinely lied to, cease to be able to imagine what is really the case.
Read the entire article here.

2 New Books. 2 Cities. Double the Fun!


























Pratham Books is launching two delightful children's stories - 'Babachya Mishya' (Daddy's Mo) and 'Kakuche Bal' (Aunty Jui's Baby), authored and illustrated by well-known children's author, Madhuri Purandare. Written originally in Marathi, it has been translated into English, Hindi, Kannada and Telugu.

The launch will be followed by an exciting storytelling session and an engaging activity for the little ones.

Pune event:
Venue: Akshardhara Book Gallery, Sanas Plaza, Bajirao Road. Pune 30.
Date and Time: Thursday, May 17th at 6 pm
Book launch by: Author Ms Madhuri Purandare and well known educationist Ms Meena Chandawakar.
Ideal for: 4 – 8 years

Bangalore Event:
Venue: Reliance Timeout, Mantri Mall, Malleswaram
Date and Time: Sunday May 20th at 5 pm
Storytelling session: Kathalaya trained storyteller, Radhika
Ideal for: 4 – 8 years

Monday, May 14, 2012

Cool Summer Reading for Kids (And Special Discounts Too!)


Wouldn’t you love your children to spend their holidays immersed in books that are fun to read and educative too?

Browse through our summer book deals and avail special discounts. We have book packs for all reading levels and the packs are available in English, Hindi and Marathi.

So, go on, encourage your child to read, not one, but many, many stories. Not just in English, but also in a language the child is learning or one that is spoken at home. And do consider spreading the joy of reading to all children you come across.

Click here to view the deals. 

Do forward this to your friends and family and help us spread the happy summer sunshine!